Alexandra Daisy Ginsberg
- Website: http://daisyginsberg.com/
- Alexandra Daisy Ginsberg is a designer, artist and writer exploring the social, ethical and cultural implications of emerging technologies, especially synthetic biology.
Somewhere between a vat of expensive face cream and a baby Neanderthal lies a probable future for synthetic biology. While synbio start-ups – large and small – struggle with the reality of scaling up microscopic cellular factories into profitable business models, stories of DIY anti-cancer research, Neanderthal cloning, limitless ‘green’ kerosene, and tumor-killing bacteria are told as outcomes of a likely future where humans have full control over biology.
Over the last decade, many diverse interests have contributed to this ambition of an easy-to-manipulate biology, as the field of synthetic biology has spread around research labs all over the world. Scientists, engineers, policymakers, industrialists, space agencies, politicians, and even designers are constructing a future defined by the grand rhetoric of a world-changing, world-saving technology.
The wunderkammer – the traditional repository of natural history curiosities and cultural relics – has been updated by the Center for PostNatural History in Pittsburgh, which opened the doors of its new museum this month. A curated microcosm populated by plant and animal specimens modified by man, this is the first synthetic history museum dedicated to documenting our Age of Anthropocene.
The museum’s curator, artist Richard Pell, has been painstakingly collecting examples of the ‘PostNatural’: “living organisms that have been altered through processes such as selective breeding or genetic engineering”. These organisms are not archived (unless accidentally, as Rich discovered) in natural history collections. Are genetically engineered Glo-Fish, Roundup-Ready maize and ‘biosteel’ goats post-natural organisms from the branches of the Synthetic Kingdom, or does their ‘true’ nature remain preserved?
Pell’s research has taken him on quite a journey through the living (and taxidermied) kingdoms, from the archives of the Smithsonian National Museum of Natural History to dealings with Monsanto. Through the PostNatural taxonomy, the collection raises vital questions of intellectual property, genetic modification, scientific objectivity and as Pell describes in this interview, how we cannot forget that “the project of science is never divorced from the cultural context”.