Last month we discussed how the vacuum played a big role in Manko’s life since he lost his right leg. Soon he developed this idea further, beyond the mere notion of extensions into more abstract notions of what a vacuum is, as we saw in the earlier discussed works ‘Zebra2′ and his later work ‘KM3′. The copyright issues made Manko feel betrayed by the old art regime that did not seem to know how to deal with virtual artworks. There would not be a lot of time to make art while dealing with the various pending court cases.
Then, one rainy day in November, Manko received an invitation at his Paris apartment from a mysterious person simply called ‘O’. The invitation was printed on an ultra-thin sheet of paper that felt like it would crumble in his hands yet proved rather strong. At the top of it was an embossed red geometrical ‘O’ and it had a watermark on it of something that looked like a molecular structure. The invitation read as follows: “Dear Mr. Manko, Your artistic work has come to our attention and we would like you to consider joining our laboratory to work on an innovative project with us. We think you have the relevant mindset we need to complete our team. If you accept this invitation, please flush it down your toilet and we’ll be in touch with you soon. Yours sincerely, ‘O’.”