In this first review of the works of Manko, we’ll discuss the complex sorts of plagiarism in Augmented Reality art that are typical for our contemporary art scene. This introduces a relevant clue to the later demise of Manko.
By ASTON REVOLA, Paris 21-08-20, for NextNature.net
Last year, in May, Manko released an artistic Augmented Reality (AR) application that showed what the missing arms, legs and even heads of some of the most famous sculptures in art history were supposed to look like. Based on artist sketchbooks he remodeled them in 3D and with the use of the new contact lenses of the museum, visitors could now see the whole picture. It was a huge success and soon enough Manko licensed others to remix these virtual body parts he designed. One of the best remixes was actually done by Manko himself, where he transposed the arms of Milo’s Venus onto Dali’s version, making the arms move and search all the drawers in her chest, frantically and endlessly.