Author: Natalie Dixon
Is that a hamster in your pocket or are you just pleased to see me?
Mobile phones may be the most affective technology we own but researchers at the Design Research Lab in Berlin have taken this notion to its most outlandish limit. Their cellular prototype is…
Quoted in a recent interview about his work, Landscapes without Memory, artist Joan Fontcuberta asked, “Could a natural nature exist? The answer is no, or at least, not anymore: man’s presence makes nature artificial.”
Often concerned with the ambiguity of truth, reality and virtuality Fontcuberta’s latest exhibition at photogallery Foam in Amsterdam consists of an expansive series of dramatic 3D landscapes. On first glance the images resemble something like eerie, almost empty Lord of the Rings stills. These aren’t photos but rather images produced by Fontcuberta using software developed for the U.S Air Force.
Originally cartographical data was fed into the programme to produce 3D landscape images, Fontcuberta however, fed the programme visual data – images from great masters like Gauguin, Van Gogh, Cezanne and Turner – producing entirely unique 3D landscapes. (The image above was originally a Pollock). “The representation of nature no longer depends on the direct experience of reality, but on the interpretation of previous images, on representations that already exist. Reality does not precede our experience, but instead it results from intellectual construction.”