Designer Laura Boffi envisions a future in which human instincts will leap behind on technological progress. For example, once the ‘disease called mortality’ is cured with regenerative medicine, man may start to see death not as a biological event in his life, but as something that may occur to the ‘unlucky on call’. What would be the implications for our instincts for death?
Will human instincts become object of design, and if so, how would that work? Will there be schools for ‘bioinstinct designers’? Will it be arranged by the government? Or will it be a personal choice, depending on religious and cultural views?
To fuel the debate, Boffi created an incubator in which parents can implant certain instincts in their infant. They could agree on the genetic modification for the sake of the social ecology, depending on their ethical values, or they could go for it to suit natural parents’ concern of protecting their baby.
Attributing a cultural use of the biotechnology, rather than a technical use, Bioinstinct is a project about the way man could cope with his instincts in the age of biotechnology.